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Zhenia Vasiliev

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On interviews: producing the cultural experience

Rapley, Tim. “Interviews.” In Qualitative Research Practice, by Clive Seale, Giampietro Gobo, Jaber Gubrium, and David Silverman. SAGE Publications Ltd, 2004. https://doi.org/10.4135/9781848608191.d5.

Source: Andrew Lozovyi. Cropped image of handsome businessman giving interview to journalist with voice recorder and looking at camera in office. Deposit photos

Source: Andrew Lozovyi. Cropped image of handsome businessman giving interview to journalist with voice recorder and looking at camera in office. Deposit photos

Summary

Claim: Firstly, the interview (in its many forms) pervades and produces our contemporary cultural experiences and knowledges of authentic personal, private selves (3). Secondly, interviewing is currently the central resource through which contemporary social science engages with issues that concern it (4).

Keywords: qualitative interview, qualitative, research, practice

Supports/opposes who: Grounds in Atkinson and Silverman, 1997. Seale (1998) for the dual notion of data-as-resource (only belongs ot interviewee) vs data-as-topic (jointly produced between interviewee and interviewer) (5).

Method: A step-by-step instruction of how to do an interview. Firstly discusses epistemology, how the knowledges are produced in interviews. Secondly, goes through the stages such as recruiting, compiling list of questions, beginning the interview, interactions with interviewees, avoiding bias. Second part consists of tips on how to interact during the interview, how to analyse them and to think with interview data.

Among the limitations of the method it is pointed out that no interview can stand for observational data (Strong (1980), 35).

In conducting interviews, ‘engaged, active or collaborative’ interviewing approach is advocated (introducing a topic, listening and asking follow-up questions, interjecting to share personal experience or opinion), against a "everything goes" policy (28). The idea is to be there as a figure of focus for the interviewer, and a mediator of the interview process (calling for breaks if need be, taking hand written notes) (9). Important introductory moves are "taking out the tape-recorder, re-asking their permission to record and re-explaining issues of confidentiality and anonymity" (10). Rapport, that is establishing relaxed and encouraging relationship, as well as neutrality are seen as the two important attitudes throughout the interview process (12). In the latter, while avoiding bias is essential, not being neutral is beneficial when it means seeing other as "a human being" (13), going as far as mutual self-disclosure (26). Some ideas are given about the interview as "rules":

• you should ask some questions;
• selectively follow up on specific themes or topics;
• allow interviewees the space to talk at length (18)

In analysing interviews, a 'broadly discursive approach' is discussed (29), mentioning such methods as conversation analysis, critical discourse analysis, discourse analysis, membership catergorization
analysis and narrative analysis (39). The aim of this approach is not to establish the truth, but rather find out how specific truths are established (29). Constant comparison method (Glaser and Strauss, 1967) as the technique where codes are continuously refined. In terms of broader framework, a more "layered" approach is offered. This consists of, independently of interview, exploring the context, finding sources, and through that locating key analytic themes, which are then discussed with the interviewees. During the recruiting phase the interviewer decides which voices should be heard with regards to the research topic (30).

Why important

To academics: as a learning resource, to recognize the value of an interview broadly as per the two claims above, and to be able to analyse the interview process, analyse what actually happened (5).

To general public: we all, as parts of "interview society" "just know ‘at a glance’ what it takes to be an interviewer or an interviewee" (4) - however it's not as clear cut as it seems.

Relevance to my research:

- - - -

Notes:

It is important to see the interviewee in the broader context and link to that context in the process of interview itself, as well as when analysing it (36).

tags: qualitative interview, qualitative, research, practice
categories: research notes
Wednesday 03.18.20
Posted by Zhenia
 

Forming an argument

1. Drawing and graphic design have a lot in common. Therefore, a study in drawing has a big impact on graphic design practice.

2. Drawing is phenomenological, which means that it is capable of telling not only about the subject of drawing, but about the process as well. ->

3. Both the process and the subject are equally important for the drawing.

4. Drawing is rigorous in following its rules, therefore much of drawing is instructed by itself, as well as from the outside.->

5. Involvement into the drawing from the outside should be minimized, so that the inside rules of the drawing were stronger and easier to use.

tags: argument, walliman, research, drawing
categories: research notes
Sunday 10.12.14
Posted by Zhenia Vasiliev
 

Derek Beaulieu drawings for Flatland

Here's the author's description of the process: "For each page of Abbott’s novel I have traced, by hand, a representation of each letter’s occurrence across every page of text. The generated result is a series of superimposed seismographic images which reduce the text in question into a two-dimensional schematic reminiscent of EKG results or stock reports."

Source:Little Red Leaves

tags: drawing, research
categories: photos
Friday 10.10.14
Posted by Zhenia Vasiliev
 

Great internet discovery: Monoskop

A great Friday morning is glorified by a great internet discovery called Monoskop - a collaborative wiki research on the history of art, culture and media technology.monoskop_scr

tags: art, research, resource, web
categories: reference
Friday 08.29.14
Posted by Zhenia Vasiliev
 

A day in the Life of Urbino

A short animation created during WT/ISIA 2014 summer school in Urbino, Italy [youtube=http://youtu.be/j3JC8bocmi0&w=900]

tags: animation, charcoal, drawing, ISIA, research, summer school, urbino, WT
categories: research notes
Sunday 08.10.14
Posted by Zhenia Vasiliev
 

What did Otto Neurath like to collect?

Austrian philosopher of science Otto Neurath was famous for his passion of collecting various curiosities. Here's some of the things he was interested in:

  • hieroglyphics
  • isotype (vienna method)
  • pictocharts/pictograms
  • phenakistoscope
  • atlas
  • pictorial mnemotechnique
  • emblem
  • symbol/inn signs
  • binary/duodenary systems
  • visual aid/visual education
  • saragon (voice)
  • synchronogical chart
  • tangram (dissection puzzle)
  • rebus cards
  • roundel
  • alphabet books
  • accident prevention pictures
  • optical teaching aids
  • zoopraxiscope
  • drawings of primitive peoples and children
  • sachbilder (descriptive pictures)
  • anamorphic pictures
  • mayan pictures
  • cave paintings
  • silhouettes

zoopraxiscope
source: Neurath, O., From Hieroglyphics to Isotype: A Visual Autobiography, 2010 Image source: http://en.wikipedia.org/wiki/Zoopraxiscope

tags: research
categories: reference
Saturday 05.24.14
Posted by Zhenia Vasiliev
 

John Ruskin, The Elements of Drawing - things to be studied

1. Always right: Titian, Veronese, Tintoret, Giorgione, John Bellini and Velasquez. 2. Questionable: Van Eyck, Holbein, Perugino, Francia, Angelico, Leonardo da Vinci, Corregio, Vandyck, Rembrandt, Reynolds, Gainsborough, Turner and the modern Pre-Raphaelites.

3. Most desirable: Samuel Prout (Rhine), John Lewis (sketches in Spain), George Cruikshank (Grimm's german Stories), Alfred Rethel (Dance of Death, Death the Avenger, Death the Friend), Bewick, Blake (Book of Job), Richter (illustrations to Lord's Prayer), Rosetti (edition of Tennyson).

tags: art, painting, research
categories: reference
Sunday 04.13.14
Posted by Zhenia Vasiliev
 

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